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John Dygon
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John Dygon's Proportiones practicabiles secundum Gaffurium (Studies in the History of Music Theory and Literature) Hardcover – Illustrated, August 24, 2006

by John Dygon (Author), Theodor Dumitrescu (Editor, Translator, Introduction)
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A rare example of musical scholarship from the Tudor period, in translation and fully annotated

John Dygon was the prior of St. Augustine’s monastery in Canterbury when Henry VIII boldly dissolved the English Catholic Church during the 1530s and reorganized it under royal control. Only a single copy of Dygon’s manuscript on music theory has survived, held by Trinity College, Cambridge.  This volume will be the first publication of these two treatises, providing both a scholarly transcription and English translation.

Dygon’s treatise provides a rare and important example of musical scholarship from the early Tudor period, demonstrating the status of music education at the time, the affiliations of English scholarship with music study in Europe, and the music that was actually performed in England. The treatises address questions of musical notation, especially regarding rhythmic proportions, as well as practical issues about performance. Theodor Dumitrescu’s introduction situates Dygon’s treatises within the larger history of European music, paying close attention to its borrowings from and adaptations of prior treatises. 

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Previous page
  1. Print length
    208 pages
  2. Language
    English
  3. Publisher
    University of Illinois Press
  4. Publication date
    August 24, 2006
  5. Dimensions
    6 x 0.8 x 9 inches
  6. ISBN-10
    0252031822
  7. ISBN-13
    978-0252031823
  8. See all details
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Editorial Reviews

Review

"Theodor Dumitrescu's study, edition, and translation of Dygon's works is exemplary in every respect. . . . The book sheds light on aspects of English musical culture that go well beyond the specific topics covered in the treatises and provides valuable insights into musical relations between England and the continent in the early decades of the sixteenth century."--Renaissance Quarterly

Book Description

A rare example of musical scholarship from the Tudor period, in translation and fully annotated

John Dygon was the prior of St. Augustine’s monastery in Canterbury when Henry VIII boldly dissolved the English Catholic Church during the 1530s and reorganized it under royal control. Only a single copy of Dygon’s manuscript on music theory has survived, held by Trinity College, Cambridge.  This volume will be the first publication of these two treatises, providing both a scholarly transcription and English translation.

Dygon’s treatise provides a rare and important example of musical scholarship from the early Tudor period, demonstrating the status of music education at the time, the affiliations of English scholarship with music study in Europe, and the music that was actually performed in England. The treatises address questions of musical notation, especially regarding rhythmic proportions, as well as practical issues about performance. Theodor Dumitrescu’s introduction situates Dygon’s treatises within the larger history of European music, paying close attention to its borrowings from and adaptations of prior treatises. 

Product details

  • Publisher ‏ : ‎ University of Illinois Press; 1st edition (August 24, 2006)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 208 pages
  • ISBN-10 ‏ : ‎ 0252031822
  • ISBN-13 ‏ : ‎ 978-0252031823
  • Item Weight ‏ : ‎ 1.05 pounds
  • Dimensions ‏ : ‎ 6 x 0.8 x 9 inches

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John Dygon

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