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Celtic Cosmology and the Otherworld: Mythic Origins, Sovereignty and Liminality Paperback – May 17, 2018
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The early medieval manuscripts of Ireland and Britain contain tantalizing clues about the cosmology, religion and mythology of native Celtic cultures, despite censorship and revision by Christian redactors.
Focusing on the latest research and translations, the author provides fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul. Chapters cover creation and cosmogony, the deities of the Gaels, feminine power in narrative sources, druidic belief, priestesses and magical rites.
- Print length293 pages
- LanguageEnglish
- PublisherMcFarland & Company
- Publication dateMay 17, 2018
- Reading age18 years and up
- Dimensions6 x 0.59 x 9 inches
- ISBN-101476669074
- ISBN-13978-1476669076
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“Macleod possesses masterly knowledge of the literary sources, familiarity with secondary literature in religious studies and anthropology and impressive linguistic skills.”―Studies in Medieval and Renaissance Teaching.
“Useful…There is fresh, useful thinking to be found here.”―Journal of the Traditional Cosmology Society
About the Author
Product details
- Publisher : McFarland & Company (May 17, 2018)
- Language : English
- Paperback : 293 pages
- ISBN-10 : 1476669074
- ISBN-13 : 978-1476669076
- Reading age : 18 years and up
- Item Weight : 14 ounces
- Dimensions : 6 x 0.59 x 9 inches
- Best Sellers Rank: #221,462 in Books (See Top 100 in Books)
- #90 in Celtic Religions (Books)
- #458 in Folklore & Mythology Studies
- Customer Reviews:
About the author
Sharon Paice MacLeod trained in Celtic studies through Harvard University and has presented and published work in North America, Ireland and Scotland, including the University of Edinburgh, University College Cork, the Harvard Celtic Colloquium, the Ford Foundation Lecture Series, the International Celtic Congress, the Harvard Graduate Study Group on Ancient Magic and Religion, Smith College and the University of Massachusetts (Extension).
Ms. McLeod's research specialties include ancient Celtic culture and religion, early Irish poetry and wisdom texts, Medieval Irish and Welsh literature and mythology, Scottish and Irish folklore, seership, Otherworld traditions, and the ritual expression of indigenous Celtic belief through word, song, poetry, chant and story.
Her published works include: 'Celtic Myth and Religion: A Study of Traditional Belief' (McFarland), 'The Divine Feminine in Ancient Europe' (McFarland), 'Queen of the Night' (Red Wheel / Weiser), 'The Proceedings of the Harvard Celtic Colloquium' (Harvard University Press) and 'Cosmos' (University of Edinburgh, School of Scottish and Celtic Studies).
She is a research grant recipient (Canada Council for the Arts; Scottish Clans Association of Canada) and Director of the Eolas ar Senchas Research Project. Ms. MacLeod is also the Founder of Senchas: Celtic Religious Studies Association and Immrama: Indigenous Celtic Shamanic Traditions.
Her musical career has included classical, folk, rock, medieval, world and Celtic music, and she is an accomplished Celtic singer, performing Gaelic, Welsh, Irish, Cornish and Breton songs. She plays flute, oboe, recorder, pennywhistle, Irish flute and low whistle, Tibetan and Native American flutes, keyboards, harp, lyre, bodhran and frame drum.
She was the founder and lead singer for 'The Moors', whose award-winning CD has gone through several pressings and is available through I-tunes and CD Baby (with artwork by the reknowned artist Cynthia von Buhler).
Sharon has also studied indigenous religious traditions, and is a shamanic practitioner with over 18 years of experience, applying universal shamanic practices to illuminate Celtic traditions. She has studied with a number of indigenous shamans, and in the Andean tradition has been given the rites of the Pampamesayoq, a type of shaman specializing in rituals honouring the earth and divine feminine. She is also a pipe carrier in Lakota tradition.
She leads courses and workshops, as well as distance learning programs based on the books 'Celtic Myth and Religion' and 'The Divine Feminine in Ancient Europe.' For more information: celtic wisdom at ymail dot com.
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Top reviews from the United States
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Her literary skill matches her technical, making this work a sheer delight to read.
I recommend this book, and I hope it brings you as much satisfaction as it did me.
Save yourself some time and money and go to the wellspring of knowledge. The book does not gloss over any of the topics of cosmology, origins, cosmogony, orientations and matters of ritual importance and everyday practice. It delves deeply into depths of meaning in layer upon layer of informed understanding. It builds on what is known, so that the unknown can be answered by reference to actual scholarly resources. And, the work is not limited to Celtic studies alone. It also includes references to other Indo-European studies and works when an explanation of a similar practice would be helpful. The bibliography and end notes alone are a roadmap to every worthwhile source and study of Celtic cosmology. One could spend a lifetime enjoying and following the many threads offered there.
After reading this book, one will have a Crane Bag of wisdom concerning Celtic origins and practices. You will have a source that allows future questions to be more creatively and usefully answered. Names are a source of power and this book explores and defines names from the past, explaining what they mean and how they are related across cultures. The book’s content builds structures for ritual and practice based upon both scholarship and experience. Simply put, Celtic Cosmology and the Otherworld: Mythic Origins, Sovereignty and Liminality by Sharon Paice Macleod is a gem of a book that is the best I've ever seen. It is worthy of any student, teacher, Druid or professor's study. It is an entire library of study in one work. I cannot recommend it highly enough. It is a resource that you will be glad to have as a basis for future study and reference.
Top reviews from other countries
The author sets out to piece together fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul regarding creation myth and cosmology, deity and landscape and the otherworld through a kind of psycho-archaeological approach to myths and legends left written down from the 7th century onwards, archaeology, comparative anthropology, folklore and linguistics. Inevitably, given the nature of the subject, the further back one reaches the more the conclusions take on the nature of conjecture, but I belief that she achieves her aim magnificently and with style. At times, as I was reading, it felt as if I was remembering things learned as if half remembered from the echoes of a dream, at others, there were moments of sheer "aha!". From an early proposed reconstruction of a celtic origin myth, through repeated illustrations female deity becoming or entering aspects of the landscape, I was constantly reminded of elements of the indigenous Australian 'Dreamtime'.
It's difficult in a review to give a sense of how the author constructs her arguments. At times it feels like a meandering river, with diversions down many tributaries, but in reality it is the joining together of the dots from often apparently disparate sources within the mind of someone deeply immersed in the broadest body of knowledge related to her subject. While the subject matter is divided into the tripart areas of origin myth, sovereignty and liminality, connections are made throughout all areas of the book. The author shows how the sacred nature of the landscape is illuminated through myth that reveals how it was that the landscape acquired its sacred aspects while drawing on a broad knowledge of anthropology, Indo-European scholarship, the value of storytelling and myth itself, the various Celtic languages and cultures and more.
This is, without doubt, a scholarly work. But it is by no means dry. It breathes life into its subject matter, and informs a spiritual understanding of the stories, the landscape and ancestry in a way that very few books I have read in recent years manage to do. If you read any book this year that relates to indigenous Celtic spirituality, read this one.
Some was above my head with names yet a must to keep to read again
The version of the Mabinogion used is the worst, driest and most unimaginative translation (funnily enough by another American professor). Typical American approach where they think only Ireland is Celtic.
When she tries to explain about Brythonic subjects she goes into a straight comparison with Irish stories rather than actually digging into the Brythonic meanings - a typical failure of many authors.