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Season of Migration to the North (New York Review Books Classics) Paperback – April 14, 2009

4.6 4.6 out of 5 stars 535 ratings

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After years of study in Europe, the young narrator of Season of Migration to the North returns to his village along the Nile in the Sudan. It is the 1960s, and he is eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood—the enigmatic Mustafa Sa’eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led to a terrible public reckoning and his return to his native land.

But what is the meaning of Mustafa’s shocking confession? Mustafa disappears without explanation, leaving the young man—whom he has asked to look after his wife—in an unsettled and violent no-man’s-land between Europe and Africa, tradition and innovation, holiness and defilement, and man and woman, from which no one will escape unaltered or unharmed.

Season of Migration to the North is a rich and sensual work of deep honesty and incandescent lyricism. In 2001 it was selected by a panel of Arab writers and critics as the most important Arab novel of the twentieth century.
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Editorial Reviews

Review

“This depthless, elusive classic …explores not just the corrosive psychological colonisation observed by Frantz Fanon, but a more complex two-way orientalism, in which the charms of western thought, embodied in its poetry and liberal ideals, prove irresistible, even as the novel’s Sudanese narrators understand these as the tempting fruit of a poisoned tree.” —Greg Jackson, The Guardian 

"
Season of Migration to the North is an engaging and complicated novel, by turns combative and wistful, about two men who leave Sudan to study in England and afterward belong in neither place." --Maude Newton, NPR.com

 

"Season of Migration to the North is remarkably compact, really a novella rather than a novel. But woven into the brief text is a dense tracery of allusions to Arabic and European fiction, Islamic history, Shakespeare, Freud, and classical Arabic poetry—a corpus that haunts all his writing. Salih, who died this past February in London, packed an entire library into this slim masterpiece. It is literature to the second degree. And yet it is anything but labored. Rather, it is alive with drama and incident: crimes of passion, sadomasochism, suicide. It is a novel of ideas wrapped in the veils of romance." --Harper's Magazine

 

"This is the one novel that everyone insisted I took with me. Set in a Sudanese village by the Nile, it is a brilliant exploration of African encounters with the West, and the corrupting power of colonialism. The narrator is a man returned to his native village, after university in England, and he gradually unpicks the horrifying story of a newcomer he finds in his old home. This man had been a brilliant Sudanese student and had also gone to England with terrible consequences. I never got this book out to read without someone coming up to tell me how brilliant it was." --Mary Beard

 

“Season of Migration to the North, by Tayeb Salih, is an eloquent and restrained portrait of one man’s exile. It is a rare narrative in that it charts a life divided between England and Sudan. Without a doubt it is one of the finest Arabic novels of the 20th century, and Denys Johnson-Davies' translation…does the original justice.” –Hisham Matar

 

"Emerging from a constantly evolving narrative, in a trance-like telling, is the clash between an assumed worldly sophistication and enduring, dark, elemental forces. An arresting work by a major Arab novelist who mines the rich lode of African experience with the Western world. An arresting work by a major Arab novelist who mines the rich lode of African experience with the Western world." –Publishers Weekly

 

"A beautifully constructed novel by an author whose reputation in Arabic is deservedly vast." –London Tribune

 

"It is certainly time that [Salih] be better known in America." –The Christian Science Monitor

 

“An Arabian Nights in reverse, enclosing a pithy moral about international misconceptions and delusions...Powerfully and poetically written and splendidly translated by Denys Johnson-Davies.” –The Observer (London)

 

“Season of Migration to the North by Tayeb Salih, a Sudanese novelist, and one of the most important Arabic-language novelists. It's the story of a man who has studied abroad and returned to life in Sudan–about the sort of cultural conflict and internal conflict from colonization. It's a very short novel and a number of people had recommended it to me based on what I had written. The subject matter is interesting: the story of this crisis of someone returning from life in the West." –The Christian Science Monitor

 

"This book was given to me some time ago by a librarian who had to replace her fiction shelves with an information centre. I was completely captivated by the story...the writing is extraordinarily hypnotic. First published in Arabic in 1966, and in English in 1969 by Heinemann's African Writers Series, it was much acclaimed but did not gain as wide a readership in English as it deserved." –The Guardian

 

"Inevitably, Aboulela has been compared to Tayeb Salih, whose brutal novel Season of Migration to the North is considered a classic among postcolonial texts and covers the same geographical distance as Minaret (Salih's fiction has been widely translated from Arabic; Aboulela writes in English.)" –The Daily Star (Beirut)

 

"The prose, translated from Arabic, has a grave beauty. It's the story of a man who returns to his native Sudan after being educated in England, then encounters the first Sudanese to get an English education. The near-formal elegance in the writing contrasts with the sly anti-colonial world view of the book, and this makes it even more interesting." –Chimamanda Ngozi Adichie, author of Purple Hibiscus

 

"In this extraordinary 1966 novel, a young man returns to his Sudanese village after studying abroad...Salih's own distinguished career with Unesco only sharpens this nightmare of a cultural singularity that twists into a lie. His sweet foreword remarks that he never made much money from fiction, so this reissue is doubly welcome." –The Guardian

 

"The Sudanese classic novel Season of Migration to the North, Tayeb Salih's inversion of Conrad's journey into Africa." –The Guardian

 

"Though Salih's work is deeply rooted in local culture, Johnson-Davies says it has a universal appeal: ‘He writes in the main about simple peasant people living in a village on the Nile, but they are individuals with very much the same preoccupations as anyone else. I recollect a scene where several of the characters boast about the merits of the donkeys they are riding, as though one was driving a Porsche, another a Maserati, and so on!’” –The New Yorker

 

"The meeting of the East and the West as a narrative of romance is not new territory: E.M. Forster, and lesser lights like M.M. Kaye and Paul Scott, have also presented the colonial encounter as a romance, at times failed, at other times forced. More important, writers from the other side of the colonial divide have come to prominence in recent decades through their own, perhaps more contested, portrayals. Tayeb Salih's Season of Migration to the North was an early classic of this genre." –The Nation

 

"Tayib Salih's Season of Migration to the North is a clever inversion of Joseph Conrad's Heart of Darkness: for in this case an Arab worker leaves his people and goes to Europe in search of employment, finding in the process that he has indeed entered his own heart of darkness." –The Irish Times

 

"This story might seem like a village tragedy from the Sudan, the homeland of the writer Tayeb Salih, but its resonances carry far beyond the setting. Season of Migration to the North is a brilliant miniature of the plight of Arabs and Africans who find themselves no longer sustained by their past and not yet incorporated into a viable future. Swift and astonishing in its prose, this novel is more instructive than any number of academic books." –The New York Times

 

“A modern Arabic classic.” –Reuters

 

“Denys Johnson-Davies...the leading Arabic-English translator of our time.” –Edward Said, The Independent

 

“Davies has done more than anybody to translate modern Arabic fiction into English and promote it.” –Nagib Mahfouz

About the Author

Tayeb Salih (1929-2009) was born in northern Sudan in 1929 and educated at the University of Khartoum. After a brief period working as a teacher, he moved to London to work with the BBC Arabic Service. Salih later worked as director general of information in Qatar in the Arabian Gulf, and then with unesco in Paris and the Arab Gulf States. Along with Season of Migration to the North, his books in English include The Wedding of Zein (which will be published as an

NYRB Classic) and Bandarshah.

 

Laila Lalami was born and raised in Morocco. Her work has appeared in The Boston Globe, The Los Angeles Times, The Nation, The New York Times, The Washington Post and elsewhere. Her debut collection of short stories, Hope and Other Dangerous Pursuits, was published in the fall of 2005, and her first novel, Secret Son, was published in the spring of 2009. She is currently Assistant Professor of Creative Writing at the University of California Riverside.

 

Denys Johnson-Davies(1922-2017)published more than twenty-five volumes of stories, novels, plays, and poetry translated from modern Arabic literature.

Product details

  • Publisher ‏ : ‎ NYRB Classics (April 14, 2009)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 139 pages
  • ISBN-10 ‏ : ‎ 1590173023
  • ISBN-13 ‏ : ‎ 978-1590173022
  • Item Weight ‏ : ‎ 7.2 ounces
  • Dimensions ‏ : ‎ 5.03 x 0.41 x 8 inches
  • Customer Reviews:
    4.6 4.6 out of 5 stars 535 ratings

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Customer reviews

4.6 out of 5 stars
4.6 out of 5
535 global ratings

Top reviews from the United States

Reviewed in the United States on October 20, 2008
It's interesting to read reviews of this short novel. Half of the readers see it as a satirical version of Joseph Conrad's "Heart of Darkness". The other half - who perhaps have never read Conrad - think it's a vain, silly (although lyrically written) tale of a sex-maniac guy who likes to seduce and abandon women. This is one of the inherent problems in a novel which is meant to reference another work. If you were to read "Bored of the Rings" (an awesome parody of Lord of the Rings) without ever reading Lord of the Rings you might think it silly. Read them side by side and you realize the brilliance at work. Not only is that true here as well, but I also do think that Season of Migration to the North stands alone as a work in its own right.

First, if you've never read "Heart of Darkness", look it up on the web and read it. It's online in its full text (it is out of copyright now) and you can read it for free. It's a short novel, just like Season, and should only take you an hour or two. It is a brilliant work, well deserving of its high acclaim. Go on, we'll wait for you to come back.

Now, having read Heart, you can see the many similarities with Season. Both tell of someone starting from their own civilization and venturing out into the "opposite", and being changed by the experience. In Heart, an Englishman ventured into the Congo. In Season, Mustafa - a brilliant but anchorless student - is sent for education up to Cairo and then to London. Rather then becoming "refined" by the experience, he quickly bores with the women continually throwing themselves at his "exotic excitement". He deliberately lies to them about his background, his country's history, the meaning of his culture, and they don't care - they just want to be held by his ebony hands.

Both novels create meaning in the power of the river, with the way it twists and turns around obstacles and keeps going. It is water which brings new life and destroys existing ones. Both novels use a second hand narration style, so you are hearing a lot of the story from a more neutral observer.

Some people take exception with Season's focus-character, Mustafa, being a playboy. Really, he is in no way any worse than many novel protagonists! The only difference here is that the women he abandons then all decide life is not worth living :) Hopefully nobody was taking that as a serious fact-ridden narration, that this beautiful dark man was waltzing through London society leaving a trail of dead bodies in his wake and it was another common happening. To me it was a social commentary on how certain types of individuals glamorize "powerful savages", give themselves over fully to the fantasy and then cannot deal with reality when it rears its head. Wrap this up with the aforementioned tongue-in-cheek references to Heart and you begin to understand where this was all coming from.

I loved the lyrical beauty of the telling, the wealth of details about Sudan life, about how individuals felt about the colonization of Sudan and the subsequent social upheavals. Changes are coming - they are hinted at throughout the story. Wooden water mills are turning into pumps. Cars are traveling roads once only seen by camels. Even so, a 30 year old widow who does not want to marry is forced into a wedding with a man 40 years her senior, solely because her father orders her to.

I think there's a lot to learn here, and that the journey is full of beautiful imagery. If you've read this once and it didn't make sense to you, then read Heart of Darkness. Read a book or two on the history of Sudan. Then come back to this, and see what new layers present themselves.
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Reviewed in the United States on August 17, 2014
As a scholar on an NEH Institute on the topic "Arabic Literature in Translation" I studied this book and subsequently taught it in a high school humanities classroom. As the senior classes in TAG AP literature approached graduation, one student asked for my desk copy as a souvenir, and I gladly gave it to him before I also "graduated" to retirement. Now, over a decade later, I was searching for another copy and was elated to be able to buy a paperback copy at such a reasonable price. At this time of relative ignorance of the history of many parts of the Middle East and its myriad histories and populations, I am still impressed by the metafictional insights and perspectives that such a small book can give the reader. In addition, the language of the translation is amazingly lovely and poetic, yet clear and meaningful. Despite its compact size, it calls for multiple readings: once for the breathtaking personal stories and scenic descriptions, and at least two more to annotate the contrasting historically political perceptions of human beings who lived the times.
7 people found this helpful
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Reviewed in the United States on March 24, 2023
Is right order
Reviewed in the United States on April 29, 2023
My daughter said it was good.
Reviewed in the United States on November 6, 2022
Needed this book for my Africana class
Reviewed in the United States on February 3, 2020
I love the suspicious narrator style that the author uses in the book. You're never sure if what you're being told is totally true, or obviously a lie. While the story is slow-going for a good chunk of it, it is worth the dramatic finish to keep reading. The characters are also well written and give a different perspective into village life.
2 people found this helpful
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Reviewed in the United States on September 21, 2015
The Enduring Legacy of Tayeb Salih

Of all the literature written by non-English speaking writers about the European colonial experience in Asia, Africa, and the Americas,, Tayeb Saleh's novel "Season of Migration to the North" is perhaps the most compelling and captivating narrative of all. If anything, the late Tayeb Saleh should have been awarded the Nobel Prize for this magnificent literary work which embodies the African as well as Arab-Muslim colonial experience in its entirety. No graduate and/or undergraduate course on comparative literature can be complete without reading and analyzing this masterpiece of the late Tayeb Saleh.
Reviewed in the United States on June 12, 2009
This is truly an undiscovered gem. As an immigrant, the problems associated with clash of cultures have always interested me. This book looks unflinchingly at this. Written in a very economical way, this book portrays both the problems of the west and of the east in very few pages. He seems to say that the solution to problem of culture clash is not picking one over the other, but a synthesis of the two that works for each person.

It is a pity that this book is not as talked about as other books such as, say "Things fall apart".
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Top reviews from other countries

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Ann Sjostrom
1.0 out of 5 stars Misogynistic and pornographic
Reviewed in Sweden on July 30, 2023
Couldn’t finish, it’s in the give-away bag. Big disappointment.
Jonathan Talbot
5.0 out of 5 stars Mystery
Reviewed in the United Kingdom on January 18, 2023
At the heart of this book is something mysterious. I finished it and wondered quite what l had read. It is both disciplined and yet elusive, poetic and prosaic. Utterly compelling from the beginning, a truly great novel. In many ways a simple story yet it has so much to say. Get it!!
2 people found this helpful
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Nadia Canonico
5.0 out of 5 stars Consiglio
Reviewed in Italy on April 26, 2020
Bellissimo libro! Ne consiglio la lettura
Amazon semore impeccabile con la consegna
Rajiv Sachi
5.0 out of 5 stars Definitely a must read novel
Reviewed in India on May 21, 2019
For an Indian, it's easy to relate to the post colonial literature from Sudan. A magnificent novel!
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Amazon Customer
5.0 out of 5 stars Seasons of Migration to strange times
Reviewed in Canada on November 27, 2012
Don't buy this book expecting an orientalist depiction of the Arab world, such that you would by it come to understand something which was previously mysterious. Instead, read this book for the trauma and chaos that lurks inside of it. For a sense of how the colonized is effected by the colonizer not just in the theft of territory, but in the dislocation of the soul. The impossibility of return, of making whole again, these are the themes of this book. Like Camus' "L'etranger" but from the perspective of the colonized, Tayeb's words spin a line not from start to end, but from end to ending, from a rift in time to an end of time. You can't go home, not only because it isn't there anymore, but more profoundly because you are no longer connected to it.
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