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Shirin: Christian Queen Myth of Love: A Woman Of Late Antiquity: Historical Reality And Literary Effect Paperback – May 12, 2004
- Print length138 pages
- LanguageEnglish
- PublisherGorgias Pr Llc
- Publication dateMay 12, 2004
- Dimensions5.75 x 0.5 x 8.75 inches
- ISBN-101593332823
- ISBN-13978-1593332822
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Product details
- Publisher : Gorgias Pr Llc; 1st Gorgias Press Ed edition (May 12, 2004)
- Language : English
- Paperback : 138 pages
- ISBN-10 : 1593332823
- ISBN-13 : 978-1593332822
- Item Weight : 7.5 ounces
- Dimensions : 5.75 x 0.5 x 8.75 inches
- Best Sellers Rank: #6,612,119 in Books (See Top 100 in Books)
- #2,345 in Iran History
- Customer Reviews:
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The first chapter gives a brief yet sound introduction into "Persia in Late Antiquity" (pp. 3-17); it is also an ecumenically balanced overview of Syriac Christian history in that period.
Chapter two explores Shirin as a historical person (pp. 19-61). In the center is her life on the Persian court in the framework of her relationship to her husband Chosroes II. In fact, one learns a lot about Chosroes' reign itself, his alliance with Byzantium, and Persian imperial intrigues. The author also clarifies the myth that Chosroes had been married with the daughter of the Byzantine Emperor Maurice. About half of this chapter on Shirin's influence on Chosroes as queen of the queens focuses upon Sassanian politics concerning East and West Syriac Christians, i.e. the Church of the East and the Syriac Orthodox Church. This is an invaluable and historically rich chapter that clearly demonstrates how politics shape ecclesiastical history, and - in the context of the present topic - how Shirin shaped politics.
The following chapter three (pp. 63-83) traces the development of the various myths of Shirin and analyzes how the historic person entered literature and the arts. While Christian authors after the 14th century rarely mention her, Islamic writers had developed their stories already a century after her death. Among others, Baum describes the image of Shirin in Firdausi's "Book of Kings (Shahnama)", in the "The Tales of the 1001 Arabian Nights", and in Nizami's verse epic "Chosroes and Shirin". He shows how the latter was received and modified by later Persian, Indian, and Georgian authors. Furthermore, he analyzes the birth of the entirely unhistorical story of the love between Shirin and Chosroe's supposed architect Ferhard, which was adopted in Turkish literature: Ali Shir Navai's epic "Ferhard and Shirin" spread through miniature paintings from Asia Minor through Afghanistan, Persia and India.
The last chapter four (pp. 85-91) discusses Shirin's rediscovery in Europe by the Austrian Orientalist Josef von Hammer-Purgstall and its influence on German literature, especially on Johann Wolfgang von Goethe's "West-östlicher Divan".
On occasion, the reader might wish for more references in the notes. But there is no doubt that this booklet investigates a wide area of literature and synthesizes it with great profundity. It serves as a valuable source of information to the reader. The book jacket describes the author as historian, theologian, and philosopher, who lives in Klagenfurt (Germany); this is correct, despite the fact that Klagenfurt is in Austria.
Against a concise background chapter on the political and religious situation of Persia in late antiquity, the author first accounts for the scant historical traces of Shirin's life, a woman in a world dominated by male potentates and religious leaders and the struggle for dominance between the Byzantine and Persian empires; the discussion is detailed and takes on several controversial issues of interest to specialists.
It is fascinating to follow the author's account of how the historical figures of Shirin and Chosroe were transformed into archetypes of love in popular mythology and by the literary genius of poets such as Firdausi or Nizami, who dealt with eternal themes of true and impossible love, of jealousy and treachery. Additional discussions of pictorial representations in Islamic art document the important place of the Shirin-topos beyond poetry. These themes also cast their spell on Goethe, who became familiar with the literary Shirin through the work of Hammer-Burgstall, an Austrian orientalist. Here, Baum does not only discuss an interesting chapter in Goethe's later work, he also emphasizes the inspiration the West drew from the encounter with Islamic art, which is not the least of the benefits of this wonderful book.