Persephone (aka Kore) was the Greek goddess of vegetation, especially grain, and the wife of Hades, with whom she rules the Underworld. An important element of the Eleusinian Mysteries and the Thesmophoria festival, the goddess was worshipped throughout the Greek world and frequently appeared in all forms of Greek art.
Kore - Persephone - Proserpina
In many ancient cults the goddess, along with her mother Demeter, is associated with vegetation and grain. In this guise she is most often referred to as Kore, signifying both ‘daughter’ and ‘maiden’. In Greek mythology, the goddess, as wife of Hades, is the Queen of the Underworld and takes her other name, Persephone. In this guise, she was seen as a protectress in the after-life, although Hesiod repeatedly describes her as ‘dread Persephone’ in his Theogony. In various other myths, Persephone is the mother of Dionysos (with Zeus, who is also her father) - although Semele is the more usual candidate - and squabbles with Aphrodite for the attentions of devilishly handsome Adonis, the two settling to share the famous lover in split shifts. In the Roman world the goddess was known as Proserpina.
Persephone & Hades
According to mythology, Hades, god of the Underworld, fell in love with beautiful Persephone when he saw her picking flowers one day in a meadow. The god then carried her off in his chariot to live with him in the dark Underworld. In some accounts, Zeus had given his consent to the abduction, the location of the crime being traditionally placed in either Sicily (famed for its fertility) or Asia.
Meanwhile, Demeter searched the earth for her lost daughter and though Helios (or Hermes) told her of her daughter’s fate, she, nevertheless, continued her wanderings until she finally arrived at Eleusis. It was here, disguised as an old woman, that the goddess cared for Demophon (or Triptolemos, who would later give the gift of corn to humanity and teach farming), the only son of Metaneira, the wife of Keleos, king of Eleusis. To reward the family for their kindness, Demeter set about making Demophon immortal by placing him on a fire every night. However, when Metaneira saw this, she raised an alarm. In response, Demeter revealed her true identity and demanded a temple be built in her honour. This was the beginning of the celebrated sanctuary of Eleusis.
Once the temple was completed, Demeter withdrew from the world and lived inside it; at the same time, she created a great drought to convince the other gods to release Persephone from Hades. As the drought claimed ever more victims, Zeus finally sent Hermes to persuade Hades to release his ill-gotten bride. Before giving her up though, the wily Hades put a pomegranate kernel in the girl’s mouth, knowing its divine taste would compel her to return to him. In other versions of the myth, Persephone could have been released if she had not eaten anything in the underworld during her captivity, but at the last moment, Hades gave her a pomegranate seed. Finally, as a compromise, it was decided that Persephone would be released but that she would have to return to Hades for one-third of the year (or in other accounts one-half).
Significance of the Myth
The story of Demeter and Persephone was perhaps symbolic of the changing seasons and the perennial change from life to death, to life once more, or in other words, the changes from summer to winter and the return of life in spring as seen in agriculture. The cycle became one of the rituals of the sacred Eleusinian mysteries; indeed, the symbols of the cult were ears of corn and a torch - reminding of Demeter’s search for Persephone and that the rituals were carried out at night. As all initiates were bound by a sacred oath not to reveal the details of the Mysteries, they have to this day remained just that, a mystery.
Another interpretation of the Persephone myth may be that it represents when the Greeks stored their grain underground for part of the year in order to protect it from summer heat. In favour of this argument is that in Greece’s climate seeds are sown in the autumn and quickly germinate to grow throughout the winter time. Therefore, Persephone’s time in Hades would not equate with winter in the agricultural season but, rather, with summer. Whatever the exact significance, the association between Persephone and agriculture is firmly established in rituals, literature, and ancient art. Finally, the myth of Hades’ abduction may also reference the Greek practice of girls marrying in their early teens, a loss to their mothers as Persephone was to Demeter.
Other Cults of Persephone
The cult of Persephone was especially strong in Sicily and southern Italy, and besides the Eleusinian Mysteries at Eleusis there were sanctuaries to the goddess across the Greek world, most notably at Locri Epizephyrii, Mantinea, Megalopolis, and Sparta. Here annual festivities celebrated Persephone’s marriage and her picking of flowers. The Thesmophoria was a Greek-wide celebration of the goddess and her mother. Exclusive to women, it was held annually before the sowing period when sacrifices were made and putrefied pig’s remains were mixed with the seeds. Persephone, in her guise as Queen of the Underworld, was often appealed to in curse tablets and on the inscribed gold leaves buried with the dead followers of Orphism which gave instructions on how to conduct themselves in the after-life.
Persephone in Art
Persephone rarely appears in art before the 6th century BCE, and then she is usually shown with Demeter; often both wear crowns and hold a torch, sceptre, or stalks of grain. A famous 5th-century BCE relief slab from Eleusis depicts Demeter and Persephone (holding a torch) either side of Triptolemos. It is on permanent display in the National Archaeological Museum in Athens. On Attic red-figure pottery throughout the Classical period, Persephone is often shown seated on her throne in Hades.
Frescoes in the 4th-century BCE royal tomb at Aegae (Vergina) in Pieria, Macedon show Hades abducting the goddess and explain the popular ‘Tomb of Persephone’ label. A recent spectacular find is the large pebble mosaic, measuring 4.5 by 3 metres from the Hellenistic tomb at Amphipolis, which again depicts the god Hades abducting Persephone in a chariot led by Hermes. Persephone’s abduction by Hades was a popular subject in Roman sculpture too, especially on sarcophagi, and continued to be so for 18th and 19th-century oil painters.